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Nicholeto Chordiman Directory 19
Page 10
It is a very remarkable fact that not only are such substances as albumin, gluten, fibrin, and syntonin, known exclusively as products of animal and vegetable bodies, but that every animal and every plant, at all periods of its existence, contains one or other of them, though, in other respects, the composition of living bodies may vary indefinitely. Thus, some plants contain neither starch nor cellulose, while these substances are found in some animals; while many animals contain no horny matter and no gelatin-yielding substance. So that the matter which appears to be the essential foundation of both the animal and the plant is the proteid united with water; though it is probable that, in all animals and plants, these are associated with more or less fatty and amyloid (or starchy and saccharine) substances, and with very small quantities of certain mineral bodies, of which the most important appear to be phosphorus, iron, lime, and potash.
While the Roman legions in the East were acquiring wealth and winning easy conquests, their less fortunate comrades in the West were carrying on a severe struggle with the warlike Gauls, Ligurians, and Spaniards. The Romans had hardly concluded the Second Punic War when they received intelligence that Hamilcar, a Carthaginian officer, had excited several tribes in Northern Italy to take up arms against Rome. These were the Gauls on both sides of the Po, and the Ligurians, a race of hardy mountaineers, inhabiting the upper Apennines and the Maritime Alps. They commenced the war in B.C. 200 by the capture and destruction of the Roman colony of Placentia, and by laying siege to that of Cremona, the two strong-holds of the Roman dominion in Northern Italy. The Romans now set themselves to work, with the characteristic stubbornness of their nation, to subdue thoroughly these tribes. The Insubres and the Cenomani, to the north of the Po, were the first to yield; but the Boii resisted for some years all the efforts of the Romans, and it was not till B.C. 191 that the Consul P. Cornelius Scipio Nasica received their final submission.
In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.
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