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Nicholeto Chordiman Directory 14
Page 01
A few female fish, on the other hand, even hatch the eggs within their own bodies, and so apparently bring forth their young alive, like the English lizard among reptiles. This, however, is far from a common case: indeed, in an immense number of instances, neither parent pays the slightest attention to the eggs after they are once laid and got rid of: the spawn is left to lie on the bottom and be eaten or spared as chance directs, while the young fry have to take care of themselves, without the aid of parental advice and education. But exceptions occur where both parents show signs of realizing the responsibilities of their position. In some little South American river fish, for instance, the father and mother together build a nest of dead leaves for the spawn, and watch over it in unison until the young are hatched. This case is exactly analogous to that of the doves among birds: I may add that wherever such instances occur they always seem to be accompanied by a markedly gentle and affectionate nature. Brilliantly-coloured fighting polygamous fishes are fierce and cruel: monogamous and faithful animals are seldom bright-hued, but they mate for life and are usually remarkable for their domestic felicity. The doves and love-birds are familiar instances.
Owing to many natural causes the river may, after a while, cease to flow, leaving enlarged portions of its channel behind as a succession of chambers in a cave. But water would still come trickling in from the tops and sides, and be continuously dripping to the floor, where it speedily evaporates. When such is the case it leaves behind it the limestone it held in solution. So, in process of time, if the deposition is undisturbed, there will be formed over the floor of the cave a more or less continuous layer of limestone matter known as stalagmite. The same formations on the top and sides of the cave are called stalactites. In places where the drip is continuous the stalactite gradually assumes the shape of an immense icicle; while the stalagmite on the floor of the cave, underneath the drip, rises in a columnar mass to meet the descending stalactite. A union of these is not uncommon, and, we have pillars and columns presenting the strange, fantastic appearance on which tourists delight to dwell in their notes of travel.
The figures shown in the dry-paintings are conventionalized representations of the characters in Navaho mythology and of incidents in the myth. With how many such paintings the Navaho medicine-men are familiar is an unanswered question; but more than sixty have been noted, some of them most elaborate. In making them, the ground within the ceremonial hogan is evenly covered with fine brown earth, upon which the figures are drawn with fine sands and earths of many colors allowed to flow between the thumb and the first two fingers. The Navaho become so skilled in this work that they can draw a line as fine as a broad pencil mark. Many of the paintings are comparatively small, perhaps not more than four feet in diameter; others are as large as the hogan permits, sometimes twenty-four feet across. To make such a large painting requires the assistance of all the men who can conveniently work at it from early morning until mid-afternoon.
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