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Nicholeto Chordiman Directory 13
Page 08
The graphic art of the Apache finds expression chiefly in ceremonial paintings on deerskin, and in basketry. Only rarely have they made pottery, their roving life requiring utensils of greater stability. Such earthenware as they did make was practically the same as that of the Navaho, mostly in the form of small cooking vessels. Usually the pictures are painted on the entire deerskin, but sometimes the skin is cut square, and at others ceremonial deerskin shirts are symbolically painted. Occasionally the Apache attempts to picture the myth characters literally; at other times only a symbolic representation of the character is made. In addition to the mythic personages, certain symbols are employed to represent the incident of the myth. These paintings are made under the instruction of a medicine-man and are a part of the medicine paraphernalia. On some skins the most sacred characters in Apache mythology are represented symbolically--Naye{~COMBINING BREVE~}nezgani, the War God; Tubadzischi{~COMBINING BREVE~}ni, his younger brother; Kuterastan, the Creator of All; Stenatlihan, the chief goddess. In fact the symbolism on an elaborately painted deerskin may cover every phase of Apache cosmology.
This wild Rabbit has been startled by some noise, and the next moment she may be scampering away to her burrow, with the little bunnies, at the top of their speed, and crouch there until all is quiet again. Rabbits usually select, if possible, a sandy soil overgrown with furze, in which to make their burrows, as such a soil is easily removed, and the dense prickly furze hides their retreat, whilst it affords them a wholesome and never-failing food. These furze bushes are constantly eaten down, as far as the rabbits can reach standing on their hind legs, and consequently present the appearance of a solid mass with the surface even and rounded. These animals retire into their burrows by day to rest, and come out only in the twilight to obtain food.
The boatmen had remained in the hall. Bright now invited them into his bar and filled mugs of ale for them, and joined them in drinking the health of the young man who had been round the world. He then dismissed them, saying he would take care of the young gentleman's baggage; and stepping up stairs, tapped gently at Chapman's door. "We were all retiring for the night," said Mrs. Chapman, opening the door slightly, and looking alarmed, for Bright was in a flutter of excitement, and it was nearly a minute before he could tell what he wanted. At length he stammered out: "There, there, there--there's a strange gentleman down stairs, mam--and he would like to see Miss Mattie, I am sure he would."
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