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Nicholeto Chordiman Directory 09
Page 02
IT HAD been hard for him that spake it to have put more truth and untruth together in few words, than in that speech, Whatsoever is delighted in solitude, is either a wild beast or a god. For it is most true, that a natural and secret hatred, and aversation towards society, in any man, hath somewhat of the savage beast; but it is most untrue, that it should have any character at all, of the divine nature; except it proceed, not out of a pleasure in solitude, but out of a love and desire to sequester a man's self, for a higher conversation: such as is found to have been falsely and feignedly in some of the heathen; as Epimenides the Candian, Numa the Roman, Empedocles the Sicilian, and Apollonius of Tyana; and truly and really, in divers of the ancient hermits and holy fathers of the church. But little do men perceive what solitude is, and how far it extendeth. For a crowd is not company; and faces are but a gallery of pictures; and talk but a tinkling cymbal, where there is no love. The Latin adage meeteth with it a little: Magna civitas, magna solitudo; because in a great town friends are scattered; so that there is not that fellowship, for the most part, which is in less neighborhoods. But we may go further, and affirm most truly, that it is a mere and miserable solitude to want true friends; without which the world is but a wilderness; and even in this sense also of solitude, whosoever in the frame of his nature and affections, is unfit for friendship, he taketh it of the beast, and not from humanity.
We halted for the night at the _fazenda_ of Colonel Gregorio, a _seringueiro_ from whom I expected to get an Indian who knew the forest well and who could be of some assistance to me in going across it. The house of Col. Gregorio--a mere big shed--was a regular armoury, a great many rifles of all ages, sizes, and shapes adorning the walls; then there were fishing spears and harpoons, vicious-looking knives and axes. In the principal room was a large altar with a carved figure of the Virgin standing with joined hands before lighted candles and a bottle of green peppermint. The latter was not an offering to the sacred image, but it was placed on the revered spot so that none of Gregorio's men should touch it. Enormous balls of rubber filled the greater portion of the floor, waiting to be taken down the river.
Browning, on the other hand, kept his raptures and his processes severely to himself. He never seems to have given the smallest hint as to how he conceived a poem or worked it out. He was as reticent about his occupation as a well-bred stockbroker, and did his best in society to give the impression of a perfectly decorous and conventional gentleman, telling strings of not very interesting anecdotes, and making a great point of being ordinary. Indeed, I believe that Browning was haunted by the eighteenth-century idea that there was something not quite respectable about professional literature, and that, like Gray, he wished to be considered a private gentleman who wrote for his amusement. When in later years he took a holiday, he went not for secret contemplation, but to recover from social fatigue. Browning is really one of the most mysterious figures in literature in this respect, because his inner life of poetry was so entirely apart from his outer life of dinnerparties and afternoon calls. Inside the sacred enclosure, the winds of heaven blow, the thunder rolls; he proclaims the supreme worth of human passion, he dives into the disgraceful secrets of the soul: and then he comes out of his study a courteous and very proper gentleman, looking like a retired diplomatist, and talking like an intelligent commercial traveller--a man whose one wish appeared to be as good-humouredly like everyone else as he conveniently could.
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