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Nicholeto Chordiman Directory 08
Page 05
According to Strutt, the popular sports and pastimes prevalent at the close of the Saxon era were not subjected to any material change by the coming of the Normans. But William and his immediate successors restricted the privileges of the chase, and imposed great penalties on those who presumed to destroy the game in the royal forests without a proper license. The wild boar and the wolf still afforded sport at the Christmas season, and there was an abundance of smaller game. Leaping, running, wrestling, the casting of darts, and other pastimes which required bodily strength and agility were also practised, and when the frost set in various games were engaged in upon the ice. It is not known at what time skating made its first appearance in England, but we find some traces of such an exercise in the thirteenth century, at which period, according to Fitzstephen, it was customary in the winter, when the ice would bear them, for the young citizens of London to fasten the leg bones of animals under the soles of their feet by tying them round their ankles; and then, taking a pole shod with iron into their hands, they pushed themselves forward by striking it against the ice, and moved with celerity equal, says the author, to a bird flying through the air, or an arrow from a cross-bow; but some allowance, we presume, must be made for the poetical figure: he then adds, "At times, two of them thus furnished agree to start opposite one to another, at a great distance; they meet, elevate their poles, attack, and strike each other, when one or both of them fall, and not without some bodily hurt; and, even after their fall, are carried a great distance from each other, by the rapidity of the motion, and whatever part of the head comes upon the ice it is sure to be laid bare."
Wiertz (1806-1865), whose collection of works is to be seen in Brussels, was a partial exposition of romanticism mixed with a what-not of eccentricity entirely his own. Later on came a comparatively new man, Louis Gallait (1810-?), who held in Brussels substantially the same position that Delaroche did in Paris. His art was eclectic and never strong, though he had many pupils at Brussels, and started there a rivalry to Wappers at Antwerp. Leys (1815-1869) holds a rather unique position in Belgian art by reason of his affectation. He at first followed Pieter de Hooghe and other early painters. Then, after a study of the old German painters like Cranach, he developed an archaic style, producing a Gothic quaintness of line and composition, mingled with old Flemish coloring. The result was something popular, but not original or far-reaching, though technically well done. His chief pupil was Alma Tadema (1836-), alive to-day in London, and belonging to no school in particular. He is a technician of ability, mannered in composition and subject, and somewhat perfunctory in execution. His work is very popular with those who enjoy minute detail and smooth texture-painting.
We left at 7.30 a.m. under a limpid sky of gorgeous cobalt blue. We passed two islands--one 700 m. long (Leda Island), the other 2,000 m. (Leander Island). When we had gone but 11,500 m. we arrived at one of the most beautiful bits of river scenery I have ever gazed upon--the spot where the immense S. Manoel River or Tres Barras or Paranatinga met the Arinos-Juruena. The latter river at that spot described a sharp turn from 20 deg. b.m. to 320 deg. b.m. We perceived a range of hills before us to the north. Close to the bank gradually appeared a large shed with a clearing near it on a high headland some 200 ft. above the level of the river where the stream turned. On the left bank, before we arrived at the meeting-place of those two giant streams, we found a tributary, the Bararati, 30 m. broad.
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