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Nicholeto Chordiman Directory 08
Page 01
If the European war, in its future consequences, should bring about certain modifications in the actual frontiers of one or the other of the Balkan States, the interest of Rumania requires that the Balkan equilibrium be established in accordance with the changes made to correspond with the purpose of maintaining the real equilibrium in its new form, no matter what the frontier lines will be in their final re-establishment. In connection with the attitude of Rumania in the presence of the European war no new decision has been taken. All the political parties are subjecting their attitude to the action of the Government. Mr. von Busch, the new Minister of Germany, has arrived and was received yesterday in confidence by King Charles.
The whole academic tendency of modern painting in Germany and Austria for the past fifty years has not been favorable to the best kind of pictorial art. There is a disposition on the part of artists to tell stories, to encroach upon the sentiment of literature, to paint with a dry brush in harsh unsympathetic colors, to ignore relations of light-and-shade, and to slur beauties of form. The subject seems to count for more than the truth of representation, or the individuality of view. From time to time artists of much ability have appeared, but these form an exception rather than a rule. The men to-day who are the great artists of Germany are less followers of the German tradition than individuals each working in a style peculiar to himself. A few only of them call for mention. Menzel (1815-1905) is easily first, a painter of group pictures, a good colorist, and a powerful pen-and-ink draughtsman; Lenbach (1836-1904), a forceful portraitist; Uhde (1848-), a portrayer of scriptural scenes in modern costumes with much sincerity, good color, and light; Leibl (1844-1900), an artist with something of the Holbein touch and realism; Thoma, a Frankfort painter of decorative friezes and panels; Liebermann, Gotthardt Kuehl, Franz Stuck, Max Klinger, Greiner, Truebner, Bartels, Keller.
The opening up of these Catacombs has brought to light many most interesting relics of primitive Christianity. In these Christian cemeteries and places of worship there are signs not only of the deep emotion and hope with which they buried their dead, but also of their simple forms of worship and the festive joy with which they commemorated the Nativity of Christ. On the rock-hewn tombs these primitive Christians wrote the thoughts that were most consoling to themselves, or painted on the walls the figures which gave them the most pleasure. The subjects of these paintings are for the most part taken from the Bible, and the one which illustrates the earliest and most universal of these pictures, and exhibits their Christmas joy, is "The Adoration of the Magi."
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