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Nicholeto Chordiman Directory 05
Page 10
Like most of our common species, as the robin, sparrow, bluebird, pewee, wren, etc., this bird sometimes seeks wild, remote localities in which to rear its young; at others, takes up its abode near that of man. I knew a pair of cedar-birds, one season, to build in an apple-tree, the branches of which rubbed against the house. For a day or two before the first straw was laid, I noticed the pair carefully exploring every branch of the tree the female taking the lead, the male following her with an anxious note and look. It was evident that the wife was to have her choice this time; and, like one who thoroughly knew her mind, she was proceeding to take it. Finally the site was chosen upon a high branch extending over one low wing of the house. Mutual congratulations and caresses followed, when both birds flew away in quest of building material. That most freely used is a sort of cotton-bearing plant, which grows in old, worn-out fields. The nest is large for the size of the bird, and very soft. It is in every respect a first-class domicile.
As to our Princes, most of us, including the Social Democrats, are glad in our heart of hearts that we have them. As far back as our history runs, and that is more than 2,000 years, we have had Princes. They have never been more than their name, "Fuerst," implies, the first and foremost of German freemen, "primi inter pares." Therefore they have never acted independently, never without taking the people into counsel. That would have been contrary to the most important fundamental principles of German law; hence our people have never been "de jure" without their representatives. Even in the times of absolute monarchy the old "estates of the realm" had their being as a representative body, and wherever and whenever these privileges were suppressed it was regarded as a violation of our fundamental rights and is so still regarded.
Steen (1626?-1679) was almost the opposite of Terburg, a man of sarcastic flings and coarse humor who satirized his own time with little reserve. He developed under Hals and Van Ostade, favoring the latter in his interiors, family scenes, and drunken debauches. He was a master of physiognomy, and depicted it with rare if rather unpleasant truth. If he had little refinement in his themes he certainly handled them as a painter with delicacy. At his best his many figured groups were exceedingly well composed, his color was of good quality (with a fondness for yellows), and his brush was as limpid and graceful as though painting angels instead of Dutch boors. He was really one of the fine brushmen of Holland, a man greatly admired by Sir Joshua Reynolds, and many an artist since; but not a man of high intellectual pitch as compared with Terburg, for instance.
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